"Undergraduate Preparation for Graduate Study in Music." College Music Symposium 11:23–27.

Autograph Musical Documents of Hector Berlioz, c. 1818–1840. Ph.D. diss., Princeton University. Rev. edn. pub. 1980 by UMI Research Press; see below.

"Reconstructing a Berlioz Sketch." Journal of the American Musicological Society 28:125–30.

"The Present State of Berlioz Research." Acta musicologica 41:31–67.

"Berlioz au Conservatoire: Notes biographiques." Revue de musicologie 62:289–92.

"Staging the Play of Daniel." Early Music 4:159–64.

"Ludus Danielis: Photographs and Production Notes." Pro Musica I/3:12–17.

"Les Fragments de l'opéra “perdu” de Berlioz: Les Francs-Juges." Revue de musicologie 63:78–88.

"Wagner's Ring in Andrew Porter's English." 19th-Century Music 1:62–70.

Report: "The Performance and Interpretation of Josquin's Masses," a summary of the workshop at the Josquin des Prez Festival-Conference [1971]. In Josquin des Prez, ed. Edward Lowinsky (London, 1977), pp. 696–719. Author of the paper, pp. 700–02: The Meaning of the Ligatures in the Sources.

DKH and Peter Bloom. "Berlioz's Music for L'Europe littéraire." Music Review 39:100–09.

"Meetings," a “Viewpoint” for 19th-Century Music 2:280–83.

The Creative Process in the Autograph Musical Documents of Hector Berlioz, c. 1818–1840. Second edn. [of doctoral dissertation], rev. and corrected, with a new foreword, index, and table. Ann Arbor: UMI Research Press, 1980. 379 pp.

• Reviewed by Christopher Rouse, Notes 37:849–50.

"Hector Berlioz." In Britannica Book of Music (Garden City, New York, 1980), pp. 101–06.

DKH et al. "Future Directions in Sketch Research," ed. Sherwyn T. Carr, in Beethoven, Performers, and Critics: The International Beethoven Congress, Detroit, 1977. Ed. Robert Winter and Bruce Carr (Detroit, 1980), pp. 134–46. DKH contribution pp. 145–46.

"Berlioz: Romeo and Juliet." Program book for San Francisco Symphony, 18–21 February 1981 (San Francisco, 1981); see pp. 1–30.

DKH and Claude V. Palisca, eds. Musicology in the 1980s. New York: Da Capo Press, 1982. See "Editor's Introduction," pp. 97–99, and "Publishing and/or Perishing," pp. 119–29.

• Reviewed in The Reprint Bulletin X/82:25; by Christopher Hatch in Notes 41 (1984), 51–53.

"Ann Arbor—1982," report on American Musicological Society National Meeting. AMS Newsletter 13/1 (February 1983), 1–2.

Dr. Holoman's Handy Guide to Concert-Going. Sacramento and Davis, 1983.

"Orchestral Material from the Library of the Société des Concerts." 19th-Century Music 7:106–18.

"Hector Berlioz (1803–1869): Symphonie fantastique, Op. 14." Jacket notes (in English, with French translation by Jacques Fournier) for Deutsche Grammophon Digital Stereo disc 410 895-1: Chicago Symphony Orchestra, Claudio Abbado conducting. Hamburg: Polydor International GmbH, 1984.

"Comment & Chronicle: Joseph Kerman." Also "Joseph Kerman: Bibliography." 19th-Century Music 7:189–98.

"The Berlioz Sketchbook Recovered." 19th-Century Music 7:282–317, with separatum facsimile.

"Sacramento Symphony Orchestra." In Symphony Orchestras of the United States: Selected Profiles, ed. Robert R. Craven (Westport, Connecticut: Greenwood Press, 1986), 36–40.

"The Emergence of the Orchestral Conductor in Paris in the 1830s." In Music in Paris in the Eighteen-Thirties / La Musique à Paris dans les années mil huit cent trente, ed. Peter Bloom (Stuyvesant, N. Y., 1987), 387–430.

"Orchestre de Paris." In Symphony Orchestras of the World: Selected Profiles, ed. Robert R. Craven (Westport, Connecticut: Greenwood Press, 1987), 100–07.

Catalogue of the Works of Hector Berlioz. Volume 25 of the New Berlioz Edition. Kassel, London, etc.: Bärenreiter-Verlag, 1987. 527 pp.

• Reviewed by Wolfgang Dömling in Neue Zürcher Zeitung (Zurich), 12/13 March 1988, p. 66; by Anselm Gerhard in Neue Zeitschrift für Musik 149/6 (June 1988), 74; by Wolfgang Dömling in Musica 42 (1988), 291–92; by Clifford Bartlett in Brio 25 (1988), 33–34; by John Warrack in the London Times Literary Supplement, 24 February 1989, pp. 187–88; by Julian Rushton in Music and Letters 70 (1989), 410–14; by François Lesure in the Revue de musicologie 75 (1989), 301–02; by D. W. Krummel in Journal of the American Musicological Society 43 (1990), 367–75; by Jeffrey Langford in Journal of Musicological Research 10 (1990), 112–17; by C. Berger in Die Musikforschung 43 (1990), 372–74; by Charles Suttoni in Notes 47 (1991), 753–56.

Writing About Music: A Style-Sheet from the Editors of 19th-Century Music. Berkeley and Los Angeles: University of California Press, 1988. 61 pp.

• Reviewed by Anthony Baglivi in The American Organist 22/11 (November 1988), 3; by D. W. Krummel in Notes 45 (1989), 518–20; by John Wiser in Fanfare 12 (January 1989), 460; by Wesley Coffman in The Choral Journal 29/9 (April 1989), 3; in MadAminA!, Fall 1989, p. 9; by Paul A. Richardson in The Review and Expositor 89 (1991).

Music to Commemorate the Bicentennial of the Republic of France. Eight works for band and orchestra in score and parts. Most are first publications or first modern publications. Davis and San Francisco: The UCD Symphony and the Consulate of the Republic of France, 1989. An official project of the American Committee on the French Bicentennial. Contents: Rouget de Lisle, arr. John Philip Sousa: The Marseillaise; Gossec: Marche lugubre; Catel: Marche militaire; Méhul: Chant du départ (ed. with M. Elizabeth C. Bartlet); Rouget de Lisle, arr. Pierre Monteux: La Marseillaise; Rouget de Lisle, arr. Berlioz: Hymne des Marseillais; Rouget de Lisle, arr. Berlioz: Chant du neuf Thermidor; Berlioz: Marche pour la présentation des drapeaux (ed. Denis McCaldin).

“La Musique à faire marcher les hommes,” Encore (a publication of the Grove Music Society) 4:1–6.

Berlioz. Cambridge, Mass.: Harvard University Press, 1989. 736 pp. Also London: Faber & Faber, 1990.

• Reviewed in Kirkus Review, 1 September 1989, p. 1299; by Genevieve Stuttaford in Publisher's Weekly 236/14 (6 October 1989), 86; by William J. Waters in Library Journal 114/17 (15 October 1989), 84; by Barrymore Laurence Scherer in The Wall Street Journal, 24 November 1989, p. A5; by Merle Rubin in The Christian Science Monitor 82/28 (5 January 1990), 13; by Bayan Northcott in The Independent, 3 February 1990; by George Steiner in The Sunday Times, 4 February 1990, p. H4; by Victoria Schofield in New Statesman & Society 3/87 (9 February 1990), 38; by Alexander Waugh in Literary Review, March 1990, pp. 31–32; by Phillip Sommerich in Hampstead & Highgate Express, 16 March 1990; by Paul Moore in Musical America 110/3 (March 1990), 54; in The Music Teacher (London), March 1990; by John Rosselli in the Times Literary Supplement, 4 May 1990, p. 475 (with response by Fabienne Smith, TLS 25 May, p. 555); by Wilfrid Mellers in New Republic 202/12 (19 March 1990), 33–36; by L. A. Wright in American Library Association Choice (May 1990), 230–31; by Ronald Crichton in the Financial Times, 27 June 1990; in Arkbeat, 18 July 1990, p. AB3; by the editors in The Antioch Review 48 (1990), 400; by George Martin in Opera Quarterly 7 (1990), 136–41; by John C. Tibbetts in [?] (December 1990), 52; by Julian Rushton in Music & Letters 72 (1991), 292–95; by Eric Roseberry in Musical Quarterly 75 (1991), 93–100; by Charles Suttoni in Notes 47 (1991), 753–56; by John Warrack in Opera 41 (1990), 1215–16; by Paul Griffiths in The Independent (London); by Katherine Reeve in Journal of the American Musicological Society 45 (1992).

"Berlioz: Roméo et Juliette; Les Nuits d'été." Jacket notes for Deutsche Grammophon Digital Stereo Disc 427-665 2 (2 compact-disc set): Berliner Philharmoniker, James Levine conducting. Hamburg: Deutsche Grammophon GmbH, 1990.

" Berlioz raisonné." Le Monde de la musique 131 (March 1990), 60.

" Trojans at the Bastille." Review-article for Milan Corriere della sera, March 1990.

" Berlioz, la Fantastica e il Romanticismo." Amadeus (Milan, May 1990).

Berlioz: Roméo et Juliette. Volume 18 of the New Berlioz Edition. Kassel, London, etc.: Bärenreiter-Verlag, 1990 [appeared 1991].

“Carmen,” San Francisco Opera Guild Season Preview Book (San Francisco, 1991), 43–49.

Evenings With the Orchestra: a Norton Companion for Concertgoers. New York: W. W. Norton, 1992. 734 pp. A Book of the Month Club alternate selection.

• Rev. by Eugene Gaub in The Library Journal 117/1 (January, 1992), 130; William Glackin in The Sacramento Bee, 15 March 1992; by Elisabeth Sherwin, Davis Enterprise, 22 March 1992; by James Miller in Fanfare (March/April 1992), 467–68; in The Instrumentalist (June, 1992), 8.

Program notes for Pittsburgh Symphony, 27–29 March 1992 (Lorin Maazel conducting), 1195–1207. (Mozart: Symphony No. 28; Chausson: Poème; Ravel: Tzigane; Brahms: Symphony No. 2).

Encyclopedia articles for The New Grove Dictionary of Opera, ed. Stanley Sadie. London and New York, Macmillan, 1992. Béatrice et Bénédict, I:363–64. Benvenuto Cellini, I:411–12. Berlioz, Hector, I:434–39. Damnation de Faust, La, I:1056. Troyens, Les, IV:828–32.

"The Berlioz Thematic Catalogue: History, Structure, Problems, Lessons," with a complete corrigenda. Studia musicologica Academiae Sientiarum Hungaricae 34:295–306.

“Prélude: Pour une nouvelle édition Berlioz,” in Berlioz Liber, ed. Christian Wasselin and Pierre-René Serna. Paris: Éditions Plume, 1993.

“Dispatches from the New Era.” Review-article on Hector Berlioz: The Art of Music and Other Essays (A Travers Chants), trans. and ed. by Elizabeth Csicsery-Rónay (Indiana University Press,1995). In The New York Review of Books 42/10 (8 June 1995), 40-44.

“Godfather.” Review-article on Alan Walker: Liszt: The Final Years (New York, 1996). In The New York Review of Books 43/19 (28 November 1996), 35–39.
 

Masterworks: A Musical Discovery. New York, Prentice Hall, 1998. Textbook with multi-media apparatus for introductory music courses.

Berlioz. French edn. of the English biography cited above, rev. and corrected, transl. Paris: Éditions Aug. Zurfluh, forthcoming 1997.

The Société des Concerts du Conservatoire, 1828–1967. University of California Press.