D. Kern Holoman
Books
(chronological order; highlighted links show covers.)
The Creative Process in the Autograph Musical Documents of Hector
Berlioz, c. 1818–1840. Second edn. [of doctoral dissertation], rev.
and corrected, with a new foreword, index, and table. Ann Arbor: UMI Research
Press, 1980. 379 pp.
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Reviewed by Christopher Rouse, Notes 37:849–50.
DKH and Claude V. Palisca, eds. Musicology in the 1980s. New York:
Da Capo Press, 1982. See "Editor's Introduction," pp. 97–99, and "Publishing
and/or Perishing," pp. 119–29.
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Reviewed in The Reprint Bulletin X/82:25; by Christopher Hatch in
Notes 41 (1984), 51–53.
Catalogue of the Works of Hector Berlioz. Volume 25 of the New Berlioz
Edition. Kassel, London, etc.: Bärenreiter-Verlag, 1987. 527 pp.
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Reviewed by Wolfgang Dömling in Neue Zürcher Zeitung (Zurich),
12/13 March 1988, p. 66; by Anselm Gerhard in Neue Zeitschrift für
Musik 149/6 (June 1988), 74; by Wolfgang Dömling in Musica
42 (1988), 291–92; by Clifford Bartlett in Brio 25 (1988), 33–34;
by John Warrack in the London Times Literary Supplement, 24 February
1989, pp. 187–88; by Julian Rushton in Music and Letters 70 (1989),
410–14; by François Lesure in the Revue de musicologie 75
(1989), 301–02; by D. W. Krummel in Journal of the American Musicological
Society 43 (1990), 367–75; by Jeffrey Langford in Journal of Musicological
Research 10 (1990), 112–17; by C. Berger in Die Musikforschung
43 (1990), 372–74; by Charles Suttoni in Notes 47 (1991), 753–56.
Writing About Music: A Style-Sheet
from the Editors of 19th-Century Music. Berkeley and Los Angeles: University
of California Press, 1988. 61 pp.
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Reviewed by Anthony Baglivi in The American Organist 22/11 (November
1988), 3; by D. W. Krummel in Notes 45 (1989), 518–20; by John Wiser
in Fanfare 12 (January 1989), 460; by Wesley Coffman in The Choral
Journal 29/9 (April 1989), 3; in MadAminA!, Fall 1989, p. 9;
by Paul A. Richardson in The Review and Expositor 89 (1991).
Berlioz. Cambridge, Mass.: Harvard University Press, 1989. 736 pp.
Also London: Faber & Faber, 1990.
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Reviewed in Kirkus Review, 1 September 1989, p. 1299; by Genevieve
Stuttaford in Publisher's Weekly 236/14 (6 October 1989), 86; by
William J. Waters in Library Journal 114/17 (15 October 1989), 84;
by Barrymore Laurence Scherer in The Wall Street Journal, 24 November
1989, p. A5; by Merle Rubin in The Christian Science Monitor
82/28 (5 January 1990), 13; by Bayan Northcott in The Independent,
3 February 1990; by George Steiner in The Sunday Times, 4 February
1990, p. H4; by Victoria Schofield in New Statesman & Society
3/87 (9 February 1990), 38; by Alexander Waugh in Literary Review,
March 1990, pp. 31–32; by Phillip Sommerich in Hampstead & Highgate
Express, 16 March 1990; by Paul Moore in Musical America 110/3
(March 1990), 54; in The Music Teacher (London), March 1990; by
John Rosselli in the Times Literary Supplement, 4 May 1990, p. 475
(with response by Fabienne Smith, TLS 25 May, p. 555); by Wilfrid
Mellers in New Republic 202/12 (19 March 1990), 33–36; by L. A.
Wright in American Library Association Choice (May 1990), 230–31;
by Ronald Crichton in the Financial Times, 27 June 1990; in Arkbeat,
18 July 1990, p. AB3; by the editors in The Antioch Review 48 (1990),
400; by George Martin in Opera Quarterly 7 (1990), 136–41; by John
C. Tibbetts in [?] (December 1990), 52; by Julian Rushton in Music &
Letters 72 (1991), 292–95; by Eric Roseberry in Musical Quarterly
75 (1991), 93–100; by Charles Suttoni in Notes 47 (1991), 753–56;
by John Warrack in Opera 41 (1990), 1215–16; by Paul Griffiths in
The Independent (London); by Katherine Reeve in Journal of the
American Musicological Society 45 (1992).
Berlioz: Roméo et Juliette, ed. DKH. Volume 18 of the New
Berlioz Edition. Kassel, London, etc.: Bärenreiter-Verlag, 1990 [appeared
1991].
Evenings With the Orchestra: a Norton
Companion for Concertgoers. New York: W. W. Norton, 1992. 734 pp. A Book
of the Month Club alternate selection.
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Rev. by Eugene Gaub in The Library Journal 117/1 (January, 1992),
130; William Glackin in The Sacramento Bee, 15 March 1992; by Elisabeth
Sherwin, Davis Enterprise, 22 March 1992; by James Miller in Fanfare
(March/April 1992), 467–68; in The Instrumentalist (June, 1992),
8.
The Nineteenth-Century Symphony,
ed. DKH. New York: Schirmer Books, 1997.
Masterworks: A Musical Discovery.
New York, Prentice Hall, 1998. Textbook, 3 audio CDs, and integrated CD-ROM.
2nd 3dn., with 4 audio CDs, 2001.
Forthcoming:
Berlioz. French edn. of the English biography cited above, rev.
and corrected, transl. Paris: Éditions Aug. Zurfluh, forthcoming
1997.
In Progress:
The Société des Concerts du
Conservatoire, 1828–1967. University of California Press.
